[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space height=”200px”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” css=”.vc_custom_1664286164811{padding-right: 15px !important;padding-left: 15px !important;}” z_index=””][vc_column][vc_column_text]Within Hors-Studio, designers Rebecca Fezard and Elodie Michaud specialized in material, surface and textile design. Based in Tours, the pair has been conducting research and experimentation on materials since 2016, from its choice to its treatment and finishing. For this purpose, Hors-Studio uses the decorative heritage, defended and re-examined in the light of contemporary technologies, forms and uses.<\/p>\n
Concerned about the designer\u2019s responsibility and the impact of its productions on the environment, the studio is particularly involved in the recovery of waste produced by the industrial and craft sectors. From these falls, Hors-Studio imagines new materials and new uses to develop. It is in this spirit that the studio founded in 2020 the collaborative and open source platform Precious Kitchen[1].<\/p>\n
[1] Pr\u00e9cious Kitchen is a project developed by Hors Studio and Catherine Lenoble. He was the winner of the call for Digital Creativity Project 2019 in the Centre region.<\/p>\n
<\/p>\n
This digital space allows to list the identified falls and to share recipes of materials open to all. This innovative research in the field of material design was hailed by the Grand Prize for Creation of the City of Paris of which Rebecca Fezard and Elodie Michaud were laureates in December 2020 in the Design category. Hors-Studio invests in transparent galleries with an installation designed specifically for this exhibition space, visible from outside the art center. Oscillating between anchoring in tradition and experimental research, between artisanal materiality and digital immateriality, this exhibition is in the image of the practice of designers, which permanently connects the past and the present.<\/p>\n
<\/p>\n
Circulating like a common thread on the windows of the three galleries, the motif of a \u00abjacquard cardboard\u00bb establishes this first link between the ornamental tradition and the programming language. Invented in 1801 by Joseph-Marie Jacquard, the loom can indeed be considered the ancestor of computer tools or even artificial intelligence, since it invented the first programmable mechanical system with punch cards.<\/p>\n
<\/p>\n
We find here the rhythm of these silent \u00abscores\u00bb which print, intermittently, their vibration at the different phases of the installation.
Il a \u00e9t\u00e9 Laur\u00e9at de l\u2019appel \u00e0 Projet Cr\u00e9ativit\u00e9 Num\u00e9rique 2019 en r\u00e9gion Centre.<\/p>\n
<\/p>\n
Hors-Studio investit les galeries transparentes avec une installation con\u00e7ue sp\u00e9cifiquement pour cet espace d\u2019exposition, visible depuis l\u2019ext\u00e9rieur du centre d\u2019art. Oscillant entre l\u2019ancrage dans la tradition et la recherche exp\u00e9rimentale, entre la mat\u00e9rialit\u00e9 artisanale et l\u2019immat\u00e9rialit\u00e9 num\u00e9rique, cette exposition est \u00e0 l\u2019image de la pratique des designers, qui relie en permanence le pass\u00e9 et le pr\u00e9sent. Circulant comme un fil conducteur sur les vitres des trois galeries, le motif d\u2019un \u00ab carton jacquard \u00bb \u00e9tablit ce premier lien entre la tradition ornementale et le langage de programmation. Invent\u00e9 en 1801 par Joseph-Marie Jacquard, le m\u00e9tier \u00e0 tisser peut \u00eatre consid\u00e9r\u00e9 en effet comme l\u2019anc\u00eatre de l\u2019outil informatique ou m\u00eame de l\u2019intelligence artificielle, puisqu\u2019il invente le premier syst\u00e8me m\u00e9canique programmable avec des cartes perfor\u00e9es. On retrouve ici le rythme de ces \u00ab partitions \u00bb muettes qui impriment, par intermittence, leur vibration aux diff\u00e9rentes phases de l\u2019installation.[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” css=”.vc_custom_1664286164811{padding-right: 15px !important;padding-left: 15px !important;}” z_index=””][vc_column][vc_column_text]https:\/\/www.hors-studio.fr<\/a>[\/vc_column_text][vc_empty_space height=”40px”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"featured_media":0,"template":"","categories":[],"class_list":["post-23687","artiste","type-artiste","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/cccod.fr\/en\/wp-json\/wp\/v2\/artiste\/23687"}],"collection":[{"href":"https:\/\/cccod.fr\/en\/wp-json\/wp\/v2\/artiste"}],"about":[{"href":"https:\/\/cccod.fr\/en\/wp-json\/wp\/v2\/types\/artiste"}],"wp:attachment":[{"href":"https:\/\/cccod.fr\/en\/wp-json\/wp\/v2\/media?parent=23687"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cccod.fr\/en\/wp-json\/wp\/v2\/categories?post=23687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}